|
|
“You Freud,
me Jane?” This course will provide an advanced introduction to psychoanalytic and feminist film theory. In conjunction with the readings we will screen a series of films in order to develop a common cinematic vocabulary for speaking about the construction of gender and subjectivity, spectatorship, ideology, and the cinematic apparatus. No prior film courses are required. Readings will include texts by Freud, Deleuze, Lacan, Mets, Mulvey, Silverman, Williams, and Zizek, among others. Films to be screened are: Michelangelo Antonioni’s The Passenger (1975), Alfred Hitchcock’s Marnie (1964), Alain Resnais’s Hiroshima mon amour (1959), Ridley Scott’s Blade Runner (1982), and Andrei Tarkovsky’s Solaris (1972). |